top of page
Search

Brian Tyler's ARE WE DREAMING: A Cinematic Bass Odyssey Unleashed

Sep 3
2 min read

The Unveiling of ARE WE DREAMING

Brian Tyler isn't just showing up to the party—he’s the maestro orchestrating a whole new ensemble. When someone with a resume as decorated as his—think “Fast & Furious” and “Iron Man 3”—decides to dip a toe into the murky waters of bass music, people sit up and take notice. With Monstercat and NCS as the launching platforms, Tyler’s new project, ARE WE DREAMING, promises to be more than just a sonic experience. It’s a universe of its own.

Godlike: The Opening Salvo

Let’s talk about the debut single, “Godlike”. While we’ve all been suckling on the sweet nectar of drum and bass for decades, this track emerges not as a soft murmur but a thunderous roar. Tyler’s deft fusion of orchestral grandeur with punchy basslines gives it that cinematic sheen we might have expected, but there’s fresh vigor here. This is what happens when someone plays with sound design like it’s the Coliseum.

  • Godlike: A determined kickoff, welding ambient introspection with electrifying drops.

  • The visual component is not just tacked on for show. It complements, narrates, and offers a glimpse into Tyler’s aural storyboard.

Collab Titans: Monstercat & NCS

Anyone who's been marinating in the baselines long enough knows Monstercat has been playing this game for 15 years. Their rivalry with NCS isn’t just an industry headline—it's beef seasoned with history and competition, the kind of playful sparring that elevates the whole community.

This project marries the experimental spirit of two brands that understand how to transform four walls into an emotional odyssey. The question of who will “win” this round is less significant than the journey itself. Forget scoring points; we’re talking about pushing boundaries.

Bass Music's Cinematic Strategist

Brian Tyler isn’t flipping the script. He’s writing a completely different screenplay—one where the protagonist doesn’t walk away from explosions in slow motion, but instead orchestrates them live, in syncopated 4/4 time, and maybe with a cheeky Amen break for good measure.

The audacious nature of “ARE WE DREAMING” is laced with vulnerability and ambition, balancing the meticulous precision of Tyler’s film scores with the raw, unpredictable power of live electronic performance. It's a sonic conversation between his familiar territory and new uncharted realms.

What Comes Next

The real acid test will be how Tyler’s sound translates into live settings where the energy is visceral, audiences are unforgiving, and the vibe can switch on a dime. But, having curated those volatile stages myself, I can tell you: there’s juice here. There’s substance beyond the shimmer, something tangible with design, tact, and a smattering of teeth.

In a world that's obsessed with the next big thing, it's refreshing to see someone take a swing at the fences with such clarity and purpose. You've got to risk a little chaos to birth a star, after all. Tyler's reached beyond mere tracks to compose an experience, which could very well resonate in our playlists and memories.

In Closing

So here it is, Brian Tyler’s declaration: ARE WE DREAMING. One could argue he’s answering his own question because, for the rest of us dreamers still lost at sea, his music is both the answer and the call.

Your boy, Jonny Luvs Jungle

Source: https://edmidentity.com/2026/09/02/are-we-dreaming-godlike/

 
 
 

Comments


bottom of page